Twitter definitely changed our lives, now also to be aware of our security concerns are compounded anxiety and need to follow and gain followers. In the intensive search for people to follow it worth my butt @ Andreita_SAB or rather with Andrea Cingolani, an illustrator and animator whose work I love Argentina, and between one of its latest projects is to give life to "Doki "and his friends on" Discovery Kids Latin America. "
JC: As a child, were the typical person who was always drawing in their notebooks?
AC: Yes ... I drew all drawable surface (hands included). And pretty bad indeed. But practice is the basis of illustration.
JC: At what point did you realize that yours was the picture?
AC: As I was finishing high school. I had to decide which way to go, and opted for something to give me pleasure every day of my life. At one point someone suggested I do something really enjoyed doing, and if I imagined happy doing 8 hours a day. There can imagine all that would come from a much more simple. If you work for what you really like to do, practically ceased to be a job.
JC: For your artwork, what tools you use?
AC: I usually sketch by hand on any paper that is close. Scann ... and then I usually have two paths. If I have wanted to do something softer go straight to Photoshop and paint on the outline (provided by Wacom). And if I'm in a mood more technical, vectorized in Illustrator, and then took Photoshop to finish highlight shadows.
I also draw and paint by hand every so often. I especially love muuuchos tinted with trifles. I tend to do everything in black and white what is manual, with a touch of color perhaps. It is easier to make mistakes and go back to a virtual color, so that real.
JC: How is the experience of working with Discovery Kids Latin America? What is the process creative?
AC: It's an interesting experience. We often define exactly what we need to do, but sometimes we generate computer parts is when things go better. Be very careful both as a children (0 to 5 years approx.), And for being very diverse, and that is emitted in all Latin America, Brazil, which has its own signal, and Hispanics in the United States. Therefore to be as comprehensive to use simple language, funny, without slang and quasi universal.
From the time I'm working to Doki's definitely my favorite pieces were the music videos. Until we get to film to copy the choreography. It was fun. He was also when we function better as a team, despite being the longest and most complex work.
music (like all audios) took place in Mexico and here in Argentina designed the storys and encourage. It is a joint effort.
JC: If you could bring real life 3 tools or commands photoshop or illustrator to improve your life, what would they be?
AC: Definitely what would a real life first and foremost would be the CTRL + Z to go back one step in any program! It happened more than once to be hand drawn and need to do a ctrl + z (simply impossible.)
The rest are less important ... maybe I'll bring the pipette to copy colors I see on the streets.
JC: How was the experience of working in Teo, Intergalactic Hunter?, One of the few animated projects made in Latin America.
AC: Interesting ... was the first time I did a test to work on something lively. We were like leaves ten people with character models, a huge table, drawing poses and expressions. I lifted my head and could not believe that drawing could be serious business ... ja ja ja. I was, and worked as a freelance.
was my first job in traditional animation, and I really seemed huge! Was still studying, and I have until very late going for front and behind the scenes that touched me.
is very nice to see on the big screen bit touched you ... but the rest seems insignificant to me proud. It made me feel part of the total. Overall
gave me a little sad to take so long to complete the project. If I remember correctly, since it was conceived until it came out in theaters, it took about 4 years of production. And he was given very little advertising. He left while Patoruzito I, and watching them coldly, both the idea, animation and dubbing were better carried out Teo, in my opinion. But Patoruzito has a history with which it is very difficult to compete. Teo Say
went unnoticed by the cinemas. But I added experience and opened the door to further encourage. In fact it was a key to enter Laboratoon animate.
JC: Why did one of your dreams is to create children's books?
AC: Because drawing is in the middle that I feel more comfortable. Is more relaxed than the animation (no Dead Lines impossible to play) and allows for more detail. Say you see a cartoon together, the duration of the chapter on what you're looking. Instead a book is always there. What you open and look again and again. It is more eternal than an animation. And more personal. Animation is a team effort, while the figure is an individual that shows the soul of the person on the other side.
addition, there is nothing more beautiful than a storybook. Both the stories and by the drawings. I remember staying hours looking at the shapes and colors of the illustrations in my stories as a kid, and gave me infinite pleasure, that I gave no other toy. It was another world.
And still is. That's why one of my goals. I have already
I illustrated a book published in 2004 ... but I actually arrived early opportunity. I can not even see! Lol ... I needed to learn a lot. Today I would thoroughly again.
JC: Which of your artwork you consider that so far is the best?
mmm .. is difficult. Not because I like them all backwards. I think all could be better. If I have to choose, I like a series I created in Photoshop with many textures, more feminine:
I think I'll continue to look that way a while longer . Although difficult to define my style. Never know if this is a flaw or a virtue. But I like to experiment.
JC: Why do you think that Argentina is always a must when it comes to creativity?
AC: I think an important point is that many offer to study courses (both university and tertiary) related to visual communication (video and audio design, animation, advertising, fine arts, etc). That makes it generate many professionals in these areas, and also attracts people from the rest of Latin America.
And definitely another key point is the food ... genius fed cows produce a lot of creative people on these plains. = D I want to add a thank you for this virtual lecture, which I found very funny. Greetings
thousands!
If you want to know more about the work of Andrea, I invite you to visit his blog: http://andreacingolani.blogspot.com/ and follow on twitter: @ Andreita_SAB
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